"Stolen Kiss" – Available On SuperRare
My first real kiss happened right against the front window of a restaurant. Everyone inside eating could see us. I was too young to know what I was doing, and it came so suddenly my mind didn’t even have time to catch up. I’d imagined kisses from movies. Effortless. This was the opposite: nervous, clumsy, teeth and noses colliding. We kept breaking apart because we couldn’t stop laughing, the sound muffled against each other’s mouths. Between the laughs, we played this quiet, ridiculous game. Mid-sentence one of us would lean in and steal the last word with a kiss. It felt silly in the best way, like we’d stumbled onto something private and entirely our own. Nothing was graceful about it, but that unguarded mess made it feel real. Afterward, I replayed the whole thing endlessly in my mind. A small secret we’d just uncovered together.
Even now, years later, a kiss still feels stolen in the gentlest way. Unexpected, like a quiet gift. It might come mid-sentence, turning ordinary talk into something intimate. When lips meet and everything narrows to warmth and breath, nothing else is there. Each time brings that familiar soft tingle, a spark of childlike joy that lights up inside, no matter how old I get.
That’s the feeling I wanted to hold onto in “Stolen Kiss” The title comes from the same quiet disbelief I still get. A moment so vivid it feels slightly unreal. To do it, I mixed abstract digital painting with photorealistic elements. Dreamlike brushstrokes dissolve into lifelike people, the way a kiss can feel both physical and a little unreal. Two bodies, but the feeling drifts somewhere closer to a dream. In the middle of smoke and rushing trains and wanted posters peeling from the walls, these two figures take a quiet moment together, simple and unguarded. Worth every clumsy risk.
My first real kiss happened right against the front window of a restaurant. Everyone inside eating could see us. I was too young to know what I was doing, and it came so suddenly my mind didn’t even have time to catch up. I’d imagined kisses from movies. Effortless. This was the opposite: nervous, clumsy, teeth and noses colliding. We kept breaking apart because we couldn’t stop laughing, the sound muffled against each other’s mouths. Between the laughs, we played this quiet, ridiculous game. Mid-sentence one of us would lean in and steal the last word with a kiss. It felt silly in the best way, like we’d stumbled onto something private and entirely our own. Nothing was graceful about it, but that unguarded mess made it feel real. Afterward, I replayed the whole thing endlessly in my mind. A small secret we’d just uncovered together.
She saw straight through the polished mask I’d spent years perfecting in the mirror - the careful, guarded version I sold to the world. And I saw her the same: the raw, unguarded self she kept locked behind quick subject changes and deliberate silences. Neither of us had any intention of letting someone in this deep after the wreckage of our pasts we’d survived. Our inner punk kept screaming don’t soften - a private rebellion that held the whole damn world at arm’s length. But those quiet nights rewrote the rules. Her eyes locked on mine and refused to let go. The old instinct to flinch kicked in… and I didn’t look away. She didn’t deflect when the questions cut personal. Every crack in our paper armor let in more light, and once the light touched those hidden places, there was no sealing them shut again. We were daring each other to stay - to let the paper armor catch fire and burn away until the real skin underneath finally showed itself unapologetic in the light.
Society could collapse tomorrow - aliens finally landing, lasers carving up the skyline - and I’d still be standing there, mid-shower, wondering: Did I soap both armpits, or did I just zone out again? Just like the main character in the art piece: blank stare, completely detached while the carnival erupts around her. We share the same permanent half-state: one foot sunk in daydream, the other dragging through whatever this reality pretends to be. Starting every morning already drowning in self-absorbed nonsense is exhausting. Maybe it’s not sparks of creativity. Maybe I’ve quietly gone crazy. (They say the truly insane never suspect a thing - so that’s comforting.) That same restless uncertainty in my mental state is mirrored in her tattoos: in the artwork, they come to life as animated figures acting out inner conflicts, turning static ink into a vivid symbol of how nothing inside the mind ever stays certain for long.
breathing in - the one where I’m standing on the edge of my own sanity, watching everyone else step cheerfully off the cliff ahead of me. The Matrix reality-versus-illusion argument is dead. Most people would rather stay blissfully plugged in. We’ve slipped into a full-blown Twilight Zone episode where the patients overpowered the orderlies and now the lunatics are running the asylum. My work isn’t speculating about some dystopian tomorrow. It’s the present, exactly as it hits - waiting for the next distraction, coping mechanism, or ritual to drip-feed a sense of purpose.
Broken ≠ Worthless is a raw, surreal tribute to the discarded and misunderstood - both people and things - woven from personal grief, fractured memories, and the quiet resilience of unexpected connection. It traces a journey from childhood love and loss to adult abandonment and isolation, where even a beloved collie becomes a casualty of life's unraveling. In the quiet wreckage, a bond forms with a wary street dog, slowly rebuilding trust and revealing that even the most shattered souls still crave - and deserve - love. The accompanying artwork crowns this truth in defiance: a figure seated in sovereignty over her chaos, flanked by symbols of loyalty and pain, declaring that what society calls trash can still blaze with meaning.
No one looks up from their phone anymore. We live inside our screens until something finally snaps us out of them. In the artwork, that “something” is a surreal woman dropping small glowing orbs from the sky, giving a gentle cosmic shove that forces a couple to glance up at the same moment and actually see each other. It’s a love letter and a warning wrapped into one.
Neon Diaries is a visual metaphor - every artwork I create is born from a personal story, much like ink spilled in a private journal. But unlike hidden pages, my art lays bare my deepest thoughts for all to see. In Neon Diaries, she is surrounded by floating electric monitors. Each glowing screen reveals a distinct futuristic journal entry - a metaphor for the way all my artwork tells stories. And this piece, in particular, explains how I came to that style of creating.
‘Never Forgotten’ is a profoundly personal artwork that captures the enduring bond between a mother and child, transcending the boundaries of life and death. Inspired by Mary Elizabeth Frye’s poignant poem ‘Do Not Stand at My Grave and Weep,’ this piece explores themes of loss, memory, and spiritual connection, offering a heartfelt reminder that love endures beyond the physical world.
"Shed Your Skin" is a tapestry of storytelling and symbolism, woven with hope and defiance. I am Surreal24seven, born in the vibrant pulse of New York City, where its rhythmic energy and beauty shaped my soul. But life shattered when my father’s factory - our family’s livelihood - was violently seized by thieves in Guatemala.
At first glance, this piece feels chaotic, surreal, cartoonish – but like a memory, it’s layered. This is a story about a memory – about the ghosts we’re told to bury becoming the ones who shape us. A quiet opera for the emotionally maimed.
"Changes" – This artwork captures the essence of personal transformation through the intimate connection we share with music. When I was 20, "Miss Misery" by Elliott Smith was the song that marked a pivotal shift in my life. I remember hearing it in a small, intimate venue, the raw emotion in Smith's voice resonating with my own feelings of uncertainty and longing for something more. It was then I decided to move to Los Angeles, drawn by the dream of becoming an actor. The song's melancholy melody seemed to echo through the vibrant, sunlit cityscape behind the violinist in "Changes," each note pushing me towards a life filled with auditions, dreams, and endless possibilities.
‘Will Dance For Food’ is a poignant 1/1 artwork that delves into the themes of hunger, inequality, and the stark disconnect between privilege and need. The title, an ironic plea for sustenance, underscores the desperation faced by those whose basic needs go unmet, contrasting the frivolity of abundance with the harsh realities of deprivation.
I can’t stand summer. It rolls in like a grim reaper with a tan, swinging humidity and sunshine like a meat cleaver. The air turns thick, sticky - like breathing through a mold-rotted rag - and suddenly everyone’s joined a cult of sun worshippers, chanting the gospel of “good vibes” under that leering, golden stare.